![]() >sturmnacht, a collaboration with a storm, using an self constructed aeolian harp.Īll music marked with > can be downloaded here. of corse you can also use clux in a studio situation. two examples of live performances are >voytor live and >zoena. I use clux on stage instead of a keyboard. clux is short for cluster generator for os x. with the program max i found a possibility to realise my own ideas of random generation. we used this computer to play the >intro of adventure. in 1978 hans deyssenroth progammed a kim1, a computer with 8kb (!) of ram to improvise with four voices. the tg77 is still my main instrument, together with the software synthesizers absynth, ppg wave and fm8.īeside sounds my main interest is random. I continued to create sounds, especially on the dx7 and later on the tg77 / sy99. at that time barni already lived in bali, and later joel went to mexico, and there was no more possibility to work together. our last production, just for ourselves, was music to the meskal fairy tale, also in 1984. 1984 we played at the new age festival in zurich. in my studio we recorded adventure and voyage (bellaphon 1979 / 81). ![]() We met once a week at my house and developed our own improvised music. after two concerts there was a break of several years, and only in 1978 there was a revival of the group with barni palm, percussions, hans deyssenroth, keyboards, joel vandroogenbroeck, keyboards and flute, and myself, playing soundeffects on keyboards and with various other things, like bells or an axe. artmatic, creative, creativity, digital, digital paint, John Neel, photo, photography, photoshop, Rethinking Digital Photography, software, studio. because i always was too lazy to learn to play the piano, i started to create sounds. i was instantly fascinated by the first synthesizer i saw when i was at a rehearsal of the group, and bought a synthi aks. at that time i was very engaged in my job as a teacher and lost contact to the jazzscene.ġ970 i met barni palm, who at that time was playing with brainticket. after ten years i was no more satisfied with this kind of music. My musical career started 1953 as a banjoplayer in a new orleans band.
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